Auction Catalogue 2007

View Lots    1-15            16-30           31-45            46-60             61-75           76-91

matt stuart

Lot 1

Matt Stuart
British Museum, 2002
Fibre, 10”x15”
Signed verso

 

akintunde akinleye

Lot 2

Akintunde Akinleye, courtesy of Reuters
Gas Pipeline Explosion, Lagos, 2006
A man rinses soot from his face at the scene of a gas pipeline explosion near Lagos, Nigeria. 1st Prize Spot News Singles, World Press Photo 2007
Digital, 16”x12”
Limited edition of 20

 

marcus parr

Lot 3

Marcus Lyon courtesy of The Glassworks
Marcus in his big blue truck, Rio De Janeiro from The BRICS series, 2007
The first in a series of 8 Limited edition images that focus on the Mega cities of the emerging BRIC (Brazil, Russia, India, and China) economies. Intending to comfort us with the reality of the modern urban expansion, the artist decided to be present in each photograph. Find him if you can.
Digital fibre Museum Bareyte print mounted on aluminium, 45.5”x30.5”
Artist’s Proof, signature etched in glass and verso

 

jane brown

Lot 4

Jane Bown, courtesy of The Newsroom, Guardian and Observer Archive
Margo Fonteyn and Rudolf Nuryev in rehearsal for ‘Raymonda’ at the Royal Ballet School, 1964
Silver bromide, 18”x12”
Signed recto

 

donna ferrato

Lot 5

Donna Ferrato
West 4th Street, New York City, 1994
Fibre based, 19”x12.5”
Limited edition 1/4, signed verso and stamped recto

 

gary breckheimer

Lot 6

Gary Breckheimer
Flatiron Baby, 2002
Shot on location in New York City on 23rd and 5th Ave and Broadway. This Lyrical building remains the New York’s oldest skyscraper
Silver gelatin, 11”x14”
Limited edition 15/25, signed recto

 

martin parr

Lot 7

Martin Parr / Magnum Photos
Eastbourne, England, 1995-1999
Hand printed c-type, 20”x30”
Limited edition 4/10, signed verso

 

richard bram

Lot 8

Richard Bram
Millennium Leap, London, December, 1999
Sliver gelatin lambda print, 12.5”x19”
Limited edition 3/20, signed recto

 

maria scott

Lot 9

Maria Stott
50 Years World Press Photo, 2007
Decades of photojournalism has shaped a certain vision of the world. But has it brought the viewer closer to understanding it? Or has it created a hyperreal vision in which the “what” is privileged over the “who” and “why”? The work demands: Whose world? Whose press? Whose photography?
Laminated inkjet print mounted on dibond, 55”x47”
Limited edition 1/5

 

tom stoddart


Lot 10

Tom Stoddart / Getty Images
Earthquake Child and Pigeons, 2001
A child plays with pigeons among the ruins of Bhachau, one of the worst hit towns in Gujarat. At 8.46am on the morning of 26 January 2001, 30,000 people died when the most powerful earthquake to strike India for more than half a century decimated hundreds of towns and villages in the north western state of Gujarat
Silver gelatin fibre print, 14”x14”
Signed verso

 

philip jones griffiths

Lot 11

Philip Jones Griffiths / Magnum Photos
A fertility shrine where young women pray to get pregnant, Bangkok, Thailand, 1977
Fibre print, 23.5”x15.5”
Signed verso

 

emil hoppe


Lot 12

Emil Hoppe, courtesy of Shapero Gallery
Spring in the Air, circa. 1950
Silver gelatin, 6”x7”
Signed verso

 

simon roberts

Lot 13

Simon Roberts / The Photographers’ Gallery
Pyro Enthusiasts Watching a Ground Bomb, Nevada Desert, 2002
C-type, 18”x18”
Limited edition 2/15, signed verso


clive arrowsmith

Lot 14

Clive Arrowsmith
Peter Gabriel in a Box, 1975
Cromalin, 16”x16”
Limited edition 1/10, signed recto

 

andreas h bitesnich

Lot 15

Andreas H Bitesnich
Irina, Vienna, 2005
C-type, 15.7”x19.7”
Limited edition 3/25, signed verso

View Lots    1-15            16-30           31-45            46-60             61-75           76-91